Editorial Product Review:Amazon.co.uk:Portishead's Third has been a long time coming, the result of a lengthy creative torpor following 1997's dark, distinctly underrated album Portishead. Importantly, though, they've shaken it. While the core trio of Beth Gibbons, Geoff Barrow, and Adrian Utley remains, this is quite a different band to Portishead's 90s incarnation: gone is the slo-mo turntable scratching and smoky jazz feel, replaced by heavy, brooding rhythms, vintage-sounding electronics, and spindly guitar. Still present, though, is that sense of emotional fracture and deep gloom. 'Silence' opens with ...
Editorial Product Review: :The collaboration of studio whiz Geoff Barrow and singer Beth Gibbons, Dummy was made at the same time as a short film noir called 'To Kill a Dead Man,' and the same approach--gloomy, tormented, and wildly melodramatic--permeates the album. 'Sour Times' (the hit in which Gibbons cries, again and again, 'Nobody loves me, it's true') and the more cryptic 'Glory Box' are the linchpins of the album, defining its sound: dark flashes of old soul and film music, dehumanized electronic bleeps, Gibbons emoting like she's ...
Editorial Product Review: :The bad news is that there is no 'Sour Times' to equal the first album's greatness. Lead single 'Cowboys' doesn't do the trick, not with its '50s sci-fi dub vibe and the Yma Sumac stylings of Beth Gibbons. The upside is that this bold sophomore release is, even at this late date in trip-hop's evolution, still startling, thanks to the mix of Geoff Barrow's soundscapes and Gibbons's haunting wail. --Jeff Bateman
Editorial Product Review:Album Details:ENHANCED CD VERSION. :Usually, groups wait until they've released at least three or four records before putting out a live album, but PNYC was too good an idea for Portishead to turn down. Recorded with a full orchestra on a cold, rainy day shortly after the release of their second record, Portishead, the project doubled as a live album and the soundtrack for a BBC documentary. In addition to being economical and perhaps lucrative, the disc demonstrates how sampled and sequenced music can be ...
Editorial Product Review: :A dreadful 'Let's Do It' by Joan Jett and Paul Westerberg is the only lame moment on the soundtrack of a flick that's destined to become the Rocky Horror of the '90s. The contemporary A list--Björk, Portishead, Belly, Veruca Salt, Hole and L7--all weigh in with new tracks; Björk's 'Army of Me' and Portishead's 'Roads' are standouts. 'Season with Mockingbird Girl' by a Stone Temples Pilots spinoff called The Mad Bastards adds to the film's considerable hip quotient. --Jeff Bateman
Editorial Product Review:Amazon.co.uk:Portishead's Third has been a long time coming, the result of a lengthy creative torpor following 1997's dark, distinctly underrated album Portishead. Importantly, though, they've shaken it. While the core trio of Beth Gibbons, Geoff Barrow, and Adrian Utley remains, this is quite a different band to Portishead's 90s incarnation: gone is the slo-mo turntable scratching and smoky jazz feel, replaced by heavy, brooding rhythms, vintage-sounding electronics, and spindly guitar. Still present, though, is that sense of emotional fracture and deep gloom. 'Silence' opens with ...
Editorial Product Review:Album Description:1995 release on Go! Beat, a double CD single set coupling together in a double slimline jewel case the CD singles for the two hits from the British trip hop act's debut album, 'Glory Box' and 'Sour Times'. 10 tracks total. The 'Sour' CDfeatures 'Sour Sour Times', 'Lot More', 'Sheared Times', 'Airbus Reconstruction' & 'Theme From To Kill A Dead Man'; The 'Glory' CD contains two obvious mixes of 'Glory Box' (Edit & Mudflap Mix), plus 'Scorn', 'Sheared Box' and 'Toy Box'.
Editorial Product Review: :The bad news is that there is no 'Sour Times' to equal the first album's greatness. Lead single 'Cowboys' doesn't do the trick, not with its '50s sci-fi dub vibe and the Yma Sumac stylings of Beth Gibbons. The upside is that this bold sophomore release is, even at this late date in trip-hop's evolution, still startling, thanks to the mix of Geoff Barrow's soundscapes and Gibbons's haunting wail. --Jeff Bateman
This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.
This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.