Editorial Product Review: essential recording:A poll-winning fiddler since her teens, Alison Krauss was an established bluegrass star when her label persuaded her to step out from her usual projects with Union Station, her crack band, and sanction this compilation of various band and solo guest performances. The ploy worked, yielding a wonderful, odds-beating crossover hit with Krauss's cover of 'Baby, Now That I've Found You,' a carousing late-'60s pop chant transformed into a delicate, vulnerable declaration of love. Focusing on Krauss's ...
Editorial Product Review:Album Description:After two records and a Grammy nomination, Tift Merritt took hiatus with a piano in Paris and came home with her best and most personal songs to date. Merritt describes the writing as a plainspoken look at the distance we all attempt to cross: between two people, between one heart and the rest of the world. Another Country Features special guests CHARLIE SEXTON and DOUG PETTIBONE :If the first step brings critical acclaim and the second garners Grammy® ...
Editorial Product Review:Album Description:After two records and a Grammy nomination, Tift Merritt took hiatus with a piano in Paris and came home with her best and most personal songs to date. Merritt describes the writing as a plainspoken look at the distance we all attempt to cross: between two people, between one heart and the rest of the world. Another Country Features special guests CHARLIE SEXTON and DOUG PETTIBONE :If the first step brings critical acclaim and the second garners Grammy® ...
Editorial Product Review:Description:FROM THE CREATORS AND PRODUCERS OF THE IRISH PHENOMENON CELTIC WOMAN COMES THE NEXT GENERATION IN IRISH BALLAD MUSIC, THE HIGH KINGS. Finbarr Clancy, Martin Furey, Brian Dunphy and Darren Holden - renowned vocalists and musicians - have come together to form the hottest Irish folk and ballad group to emerge since The Clancy Brothers and Tommy Makem electrified the worldwide folk revival of the 1960s. The musical producer is the highly acclaimed David Downes, who is the musical ...
Editorial Product Review: :Though the banjo might seem to relegate this decidedly non-bluegrass trio to the alt-country fringes, the buoyant melodies and heart-tugging harmonies on the album-opening 'Die Die Die' and 'Will You Return?' owe more to the early Beatles. Despite the stripped-down, largely acoustic arrangements, the 14 cuts here cover an impressively expansive musical terrain, with 'Pretty Girl from Chile' and 'Pretty Girl from San Diego' full of twists and surprises. Elsewhere there are echoes of influence from the Band, the ...
Editorial Product Review:Album Description:I think there are really only two kinds of pop music CDs these days. There are the ones you listen to only once or twice, maybe downloading the single good song to your iPod or computer; then there are others that grow stronger, sweeter, and more necessary each time you play them. Gold was that way; Cold Roses was that way; so was Jacksonville City Nights. I won't say Adams is the best North American singer-songwriter since Neil ...
Editorial Product Review:Album Description:This is the second album from the Los Angeles based octet, Flogging Molly. Taking influence from their Irish roots and the sound of the Californian punk scene, 'Drunken Lullabies'is a mix of brash punk rock guitars, violins, whistles and accordians. The band are often compared to the Pogues and fellow punk band, The Dropkick Murphys.
Editorial Product Review:Album Description:This definitive 16-track collection gathers signature singles and album cuts from her nine Elektra albums spanning 1964 to 1975. Co-produced by Judy Collins and featuring backing performances by Stephen Stills, Van Dyke Parks, Ray Baretto, and more.
Editorial Product Review: :Bob Dylan has always been incredibly prolific, only releasing a fraction of what he records. Such a policy has made him a prime target for bootleggers over the years, finally prompting this sanctioned 1991 triple-disc dive into the Dylan vaults. It consists of rare tracks, unreleased outtakes, early versions of classics ('Times They Are a-Changin',' 'Like a Rolling Stone,' 'I Shall Be Released'), and alternate versions that sometimes cut the originals ('Idiot Wind'). A measure of Dylan's depth is ...
Editorial Product Review: :Bob Dylan has always been incredibly prolific, only releasing a fraction of what he records. Such a policy has made him a prime target for bootleggers over the years, finally prompting this sanctioned 1991 triple-disc dive into the Dylan vaults. It consists of rare tracks, unreleased outtakes, early versions of classics ('Times They Are a-Changin',' 'Like a Rolling Stone,' 'I Shall Be Released'), and alternate versions that sometimes cut the originals ('Idiot Wind'). A measure of Dylan's depth is ...
We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.
The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?
Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.
This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.