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Midnight Blue

(more) »rank: 1320

by: Kenny Burrell


Editorial Product Review:Album Description:Alfred Lion considered this his favorite production and well he should have. Without piano, Burrell, Stanley Turrentine and company get a clean open sound and a deep groove on such now classic compositions as the title tune and 'Chitlins Con Carne', which has become a blues band staple. This RVG Series compact disc also includes extra photographs and 2 bonus tracks. :Kenny Burrell's music is a wonderful blend of elegance and conviction, musical inventiveness and thoughtful restraint. On this 1967 session, the guitarist ...


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Let's Go Everywhere (Dig)

(more) »rank: 9351

by: Martin & Wood Medeski


Editorial Product Review: :When John Medeski, Chris Wood and Billy Martin go into the studio to record any new album, they re never sure what will emerge. It was no different when the trio gathered in an upstate New York studio last year with a few concepts, a few musical ideas and a few friends, to create Let s Go Everywhere, the first recording designed to please their youngest fans. The group settled on the idea of a journey, of travel both literal and figurative. It ...


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The Sidewinder

(more) »rank: 1538

by: Lee Morgan


Editorial Product Review:Album Description:The Sidewinder, Lee Morgan's 24-bar blues with an infectious bass line and backbeat, instantly became one of the most popular pieces in modern jazz history. Every track on this classic album is a gem. :The Philadelphia-born trumpeter and superb bop stylist Lee Morgan apprenticed with Dizzy Gillespie and Art Blakey before emerging as a leader in his own right in the early '60s for Blue Note Records. Although Morgan owed a stylistic debt to both Gillespie and Clifford Brown, he quickly developed a ...


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Song for My Father

(more) »rank: 3222

by: Horace Silver


Editorial Product Review:Album Description:A visit to Brazil prompted Horace Silver's interest in his Portuguese roots and led to the magnificent 'Song For My Father,' his most enduring composition. This album also introduced his new band with Joe Henderson and Carmell Jones and features the classic band with Blue Mitchell and Junior Cook. essential recording:Since its title track provided the inspiration for Steely Dan's 'Rikki, Don't Lose That Number,' Song for My Father has become known as the jazz recording that launched a thousand bad rock ...


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Zaebos: The Book of Angels, Vol. 11

(more) »rank: 2463

from: Tzadik


Editorial Product Review:Album Description:2008 arrival of Vol. 11 - Zabeos: The Book of Angels by Medeski, Martin & Wood. The funkified Jazz trio Medeski, Martin & Wood plays Fusion music by way of the downtown New York Avant scene of the 1990s. John Medeski's fuzzy keyboards are equally indebted to the Meters, Jimmy Smith, Sun Ra, Chris Wood and Billy Martin provide fluid rhythms that can lock in like the JBs if the mood is appropriate. This ability to blend Jazz technique and structures with head-nodding ...


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The Mix-Up

(more) »rank: 6820

by: Beastie Boys


Editorial Product Review: :The Mix-Up is Beastie Boys' first-ever full album of all-new instrumental material. The follow-up to 2004's To The 5 Boroughs, The Mix-Up features Diamond, Horovitz and Yauch back on drums, guitar and bass, with able assistance from Keyboard Money Mark and percussionist Alfredo Ortiz, on 12 brand new wordless, sample-less, scratchless originals. Sure to please fans of the instrumental cuts from Check Your Head and Ill Communication and the cult hit compilation album made up largely of those tracks, The In Sound From Way ...


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Know What I Mean?

(more) »rank: 9518

by: Cannonball Adderley, Bill Evans


Editorial Product Review:Album Details:Heritage of Jazz Series. Japanese Limited Edition in an LP-STYLE Slipcase Digitally Remastered featuring New Artwork. Limited to 3000 Copies. :Alto saxist Cannonball Adderly and pianist Bill Evans, bandmates on Miles Davis's epochal Kind of Blue, were band leaders by the time they teamed up in 1961 for this moody, yet lyrical, date. Though remastered with state-of-the-art digital technology, Riverside has kept the original artwork and liner notes, maintaining the flavor of this classic jazz LP. Adderly's robust, bluesy tone and buoyant phrasing ...


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Concord Records SACD Sampler 1 (Multichannel Hybrid SACD)

(more) »rank: 20954

by: Various Artists


Editorial Product Review:Album Details:Heritage of Jazz Series. Japanese Limited Edition in an LP-STYLE Slipcase Digitally Remastered featuring New Artwork. Limited to 3000 Copies. :Alto saxist Cannonball Adderly and pianist Bill Evans, bandmates on Miles Davis's epochal Kind of Blue, were band leaders by the time they teamed up in 1961 for this moody, yet lyrical, date. Though remastered with state-of-the-art digital technology, Riverside has kept the original artwork and liner notes, maintaining the flavor of this classic jazz LP. Adderly's robust, bluesy tone and buoyant phrasing ...


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Jazz Icons: Cannonball Adderley - Live in '63

(more) »rank: 7225

starring: Cannonball Adderley, Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones
directed by: Various


Editorial Product Review: :This is Cannonball's little big band with three horns out front performing compositions of Oscar Pettiford, Ernie Wilkins, and Quincy Jones, among others. Multi-instrumentalist and superbly talented Yusef Lateef is featured throughout these concert performances along with the band's brass section - to quote Cannonball Adderley - , cornetist Nat Adderely. The classic and most highly celebrated Cannonball Adderley rhythm section of bassist Sam Jones, drummer Louis Hayes, and pre-Weather Report pianist Joe Zawinul is on full display throughout these performances. This collection ...


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Mercy, Mercy, Mercy! Live at 'The Club'

(more) »rank: 21641

by: Cannonball Adderley Quintet


Editorial Product Review:Album Description:Cannonball Adderley Quintet: Cannonball Adderley (alto saxophone), Nat Adderley (cornet), Joe Zawinul (piano), Victor Gaskin (bass), Roy McCurdy (drums). :'Live at 'The Club'' boasts the cover of this 1966 album. Of course, this turned out to be a lie, as did the entirety of the original liner notes. Mercy, Mercy, Mercy was not recorded at that Chicago venue, but instead at Capitol Studios in Los Angeles. (The ruse was a favor to the club owner.) The hollering audience was comprised of invited guests ...


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