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10 Days Out (Blues from the Backroads)/ (CD/DVD)

(more) »rank: 1481

by: Kenny Wayne Shepherd


Editorial Product Review:Album Description:Kenny Wayne Shepherd's reverence for his musical roots are center-stage on Ten Days Out...Blues From The Backroads, a CD+DVD package that features the guitarslinger and Double Trouble rhythm section of bassist Tommy Shannon and drummer Chris Layton performing with some of the greatest blues players of our time as well as lesser-known but historically significant bluesmen. Traveling to their hometowns to record everywhere from juke joints to front porches, from New Orleans to Kansas, Shepherd celebrates and becomes part of blues history with ...


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Hoodoo Man Blues

(more) »rank: 2009

by: Junior Wells


Editorial Product Review: essential recording:This 1965 album is where vocalist and harmonica player Junior Wells comes into his own. An early collaboration with Buddy Guy, the two of them sum up the 1960s funk-rock-blues that lay ahead. Hoodoo Man Blues inspired Paul Butterfield, Eric Clapton, and a host of other musician-fans. Wells and Guy don't shy from creating James Brown-funkified blues, or from putting a rock edge to their blues; but neither do they shy from traditional blues. Their version of 'Good Morning Little School Girl' ...


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His Best :(Little Walter)The Chess 50th Anniversary Collection

(more) »rank: 3906

by: Little Walter


Editorial Product Review: :No Description AvailableNo Track Information AvailableMedia Type: CDArtist: LITTLE WALTERTitle: HIS BESTStreet Release Date: 06/17/1997DomesticGenre: BLUES :Marion 'Little Walter' Jacobs is perhaps the most influential harmonica player on contemporary blues, and his collection is a great place to start. He was trained by Muddy Waters, but brought a more swinging feel to blues. Muddy and his band accompany Little Walter on many hits, as do Robert 'Jr.' Lockwood, the Aces, and other Chicago greats. In the 1950s, Little Walter's popularity eclipsed even Waters', ...


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His Best

(more) »rank: 2351

by: Sonny Boy Williamson


Editorial Product Review: :This is Sonny Boy Williamson II, whose 1940s Mississippi Delta radio broadcasts for King Biscuit Time made him one of the most influential of all blues musicians. A master harmonica player, he created relaxed songs, often humorous, that reminded urban listeners of their country roots. These tracks are from his years at Chess, beginning in the mid-1950s until his death in 1965. His recording bands feature Muddy Waters, Otis Spann, and Robert Lockwood Jr., among others. Perhaps his best-known track here is 'Don't Start ...


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The Paul Butterfield Blues Band

(more) »rank: 7757

by: The Paul Butterfield Blues Band


Editorial Product Review: :A slew of albums by young white men out of their minds in love with music made by older black men came from both sides of the Atlantic during the mid-1960s, but two records really laid the groundwork for the decade's blues revival--the self-titled releases by John Mayall's Bluesbreakers out of London and the Paul Butterfield Blues Band out of Chicago. Both bands were led by harmonica-blowing vocalists; both featured ascending guitar gods--Eric Clapton with Mayall and Mike Bloomfield with Butterfield. Butterfield's ensemble, however, ...


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The Turning Point

(more) »rank: 9320

by: John Mayall


Editorial Product Review: :A slew of albums by young white men out of their minds in love with music made by older black men came from both sides of the Atlantic during the mid-1960s, but two records really laid the groundwork for the decade's blues revival--the self-titled releases by John Mayall's Bluesbreakers out of London and the Paul Butterfield Blues Band out of Chicago. Both bands were led by harmonica-blowing vocalists; both featured ascending guitar gods--Eric Clapton with Mayall and Mike Bloomfield with Butterfield. Butterfield's ensemble, however, ...


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Good For What Ails You: Music of the Medicine Shows 1926-1937 (Digipak with 72-page booklet)

(more) »rank: 41194

by: Pink Anderson, Gid Tanner, Gus Cannon, Emmett Miller, Charlie Poole, Dallas String Band, Grant Brothers, Uncle Dave Macon, Beans Hambone, Clarence Ashley


Editorial Product Review:Album Description:Earning Their White Stripes. 'But what I'm listening to most of the time at present is an album called Good For What Ails You, which is an album of songs that people used to listen to at medicine shows all over the States. It's quite an interesting album and I think that people would be well advised to pick it up.' Jack White - Sunday Mail (Australia) Dec 18, 2005 Five Stars. Groundbreaking. 'Fans of Nick Tosches' Where Dead Voices Gather will lap ...


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The Best of Slim Harpo

(more) »rank: 26156

by: Slim Harpo


Editorial Product Review: :Slim Harpo recorded really good rhythm and blues. He never got too fancy; he never forgot the importance of the groove. He died young in 1970, but his music reached the Rolling Stones (who covered his 'I'm a King Bee'), the Kinks (who sang his 'I Got Love If You Want It'), Van Morrison, and Them (whose first single was Harpo's 'Don't Start Crying Now'). These songs and other greats--'Tip on In,' 'Baby, Scratch My Back'--are all included in this excellent collection of Harpo's ...


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A Hard Road

(more) »rank: 41909

by: John Mayall's Bluesbreakers w, Peter Green, John Mayall and The Bluesbreakers


Editorial Product Review: :Slim Harpo recorded really good rhythm and blues. He never got too fancy; he never forgot the importance of the groove. He died young in 1970, but his music reached the Rolling Stones (who covered his 'I'm a King Bee'), the Kinks (who sang his 'I Got Love If You Want It'), Van Morrison, and Them (whose first single was Harpo's 'Don't Start Crying Now'). These songs and other greats--'Tip on In,' 'Baby, Scratch My Back'--are all included in this excellent collection of Harpo's ...


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East-West

(more) »rank: 20392

by: The Butterfield Blues Band


Editorial Product Review:Album Description:1966's East-West, the second album from the Butterfield Blues Band -- and their last with lead guitarist Mike Bloomfield -- found the group branching out from the electric blues and adding elements of modern jazz and the music of India, most notably on the landmark title track, which paved the way for much of the musical experimentation of the late '60s. :If the Butterfield Blues Band's groundbreaking debut earned the respect of the group's elder influences, this one won over (and guided) the ...


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